Egregore

Notes on the role of the historical Egregore in modern Magic
by Fra.: U.D.


It is quite easy to poke fun at the historical claims of most magical and mystical orders, especially when they purport to have derived from “very ancient”, possible even “Atlantean” or, to top it all, “pre-Atlantean” brotherhoods for whose existence even the most sypathetic historical scholar worth his name would be very hard pressed to find any significant proof. Actually, it is rather a cheap joke to cite, for example, AMORC`s claims that even good old Socrates or Ramses II (of all people!) were “Rosicrucians”. However, the trouble only starts when adepts mistake these contentions for literal truths. “Literal”, of course, derives from literacy and the letters of the alphabet. And, as Marshall MacLuhan has justly in his “Understanding Media” and perhaps even more so in “The Gutenberg Galaxy”, western civilisation has a very strong tendency towards linear thinking, very probably due to – at least in part – the linear or non-pictographic nature of our alphabet. The very structure of this alphabet informs us at quite a tender age to think in terms of linear logics such as cause and effect, or, more intersetingly in our context, PAST-PRESENT-FUTURE. This is not at all a “natural necessity” as most people are wont to think, for the ideographic or pictographic “alphabets” as used for example in ancient Egypt or even modern China and Japan tend to bias the correspondingly acculturalised mind towards what MacLuhan terms “iconic thinking” – a perception of holistic factors rather than the systematisation into seperate (preferably indivisible) single units. Western thought has formulated this problem as the dichtonomy of the analytic and the synthetic approach. But it is perhaps no coincidence that our contemporary culture tends to associate “synthetic” with “artificial” , vide modern chemistry.

Now magical and mystical thinking is quite different; in fact it is not half as interested in causality as is linear thought. Rather, it strives to give us an overalll, holistic view of processes within our perceived space-time continuum; an overall view which includes the psychology of the observer to a far stronger degree than even modern physics seems to have achieved in spite of Heisenberg’s uncertainity principle and Einstein’s earlier theory of relativity. In other words, mythological thinking is not so much about literal (“alphabetic”?) truth but rather about the “feel” of things. For example, a shaman may claim that the current rain is due to the rain goddess weeping because of some sad event. He might predict that her phase of mourning will be over in two days’ time and that the deluge will then end. A Western meteorologist might possibly come to similar prognoses, but he will of course indignantly deny using any of “this mystic stuff” in the process. His rain godess takes the form of barometric pressure, wind velocity and direction, air humidity and the like – but who is to say which view is the “truer” one, as long as abstract and mystic predictions prove to be accurate? From an unbiased standpoint, the modern demons “barometric pressure”, “wind velocity” and factors of a similar like are just as abstract and mythic as the shaman’s hypothetical rain goddess – especially so for us laymen who religiously follow the daily indoctrination via the TV weather forecasts and satellite photograph divination: all we can do is believe in what the expert tells us is the truth. The non-shaman in a shamanic society shares a very similar fate when he has to believe simply that the rain goddess wants to be comforted say, by a substantial donation of meat or tobacco in the course of a fully fledged tribal ritual.

There is an important difference however. If we accept the model (strongly propagated by A.O. Spare, who was, of course, in his very special manner, quite an orthodox Freudian) of magic primarily taking place within the subconscious (Freud) or, less ambiguous, the unconscious (Jung); and if we furthermore agree that said unconscious is not only the source of personal magical energy (mana, or, as I prefer to term it, magis) but tends to think and act in symbols and images, we might come to the conclusion that our shaman`s explanation may perhaps not be scientifical more satisfying in Western terms, but it is surely more in accord with the way our unconscious tends to perceive reality. In that sense it is not only more “natural” but, one suspects, even downright healthier for psychic hygiene. It is, so to speak, more “ecological and holistic” in terms of psychic structure.

As an aside I might mention that it is the better explanation for practical magical reasons as well. For at least rain goddesses can be cajoled into happiness by magical technique, ritual trance and the like until they stop weeping, a task a meteorologist will hardly be able to imitate. (Actually I have preferred the magic of rain prevention to the more classical example of rain making because it is far more relevant to our own geography and experience).

In recent years Rupert Sheldrake`s theory of morphogentic fields has raised quite a hue and cry, not only within the confines of the scientific community but strangely enough among occultists too. I find this latter reaction quite astonishing, because a lot of what Mr. Sheldrake basically claims is nothing more than the old, not to say ancient, tenet of philosophical idealism: namely that there is what in both German and English is called “Zeitgeist”, a form of unique time-cum-thought quality, leading to surprisingly similar albeit completely independent models of thought, technical inventions, political truths and so on. One would rather expect the people to be profoundly intrigued to be among materialist/positivist biologists or physicist rather that occultists who have traded in the Zeitgeist principle ever since occult thought proper as we understand it arose in the Renaissance.

From a pragmatic point of view Mr. Sheldrake is behaving very much like our meteorologist, replacing mythic explanations with crypto-mythic “scientific” factors. Unfortunately, most scientific scholars tend to fear a devaluation of scientific termini tecnici; once they are mentioned in the wrong “context” (almost invariably meaning: by “wrong” people) they are readily labelled as “non-” or “pseudo-” scientific – which is, after all, precisely what happened to poor Mr. Sheldrake amongst his peers in spite of all his academic qualifications. This example goes to show how very much estranged occultists can be from their own sources even when working with them daily.

Reality too is always the reality of its description: we are marking our pasts, presents and futures as we go along – and we are doing it all the time, whether we are conscious of the fact or not, whether we like it or not, we are constantly reinventing our personal and collective space-time continuum.

Space seems rather solid and unbudging; even magic can do very little it seems to overcome its buttresses of solidity and apparent inertia, occasional exceptions included. (May it be noted that I include matter in this space paradigm, because solid matter is usually defined by the very same factors as is space – namely width, length and height.) Time, on the other hand, is much more volatile and abstract, so much so in fact that it is widely considered to be basically an illusion, even among non-occultist laymen. And indeed in his famous novel “1984” George Orwell has beautifully, albeit perhaps unwillingly, illustrated that history is very little more than purely the description of history. (Which is why it has to be rewritten so often. It seems that mankind is not very happy with an “objective past” and prefers to dabble in “correcting” it over and again. This is quite an important point I shall refer to again later on.) History is, after all, the defining of our past own roots and our present position within our linear space-time continuum in relation to past and future. Very often, unfortunately, the description and interpretation of history seem little more pathetic endeavour to obtain at least a minimum of objectivity in a basically chaotic universe. The expression “ordo ab chao” is more or less a summary of Western thought and Weltanschauung, of the issues straining and stressing the Western mind since ancient Greece. Chaos is considered “evil”, order on the other hand is “good” – then the political philosophy, if you care to dignify it by this terms, of “law and order”, appeals to people`s deeply rooted fears of loss of stability and calculability. (“Anarchy” is another widely misunderstood case in point.) The ontological fact that everything is transitory has never been particular well-received in Western philosophy and theology.

Now before you get the impression that I am only trying to impose a typical exercise in heavyhanded Teutonic style philosophical rambling upon your overbusy reading mind, let me hasten to point out that if past, present and future are, at least in principle, totally subjective, we as magicians are locally perfectly free to do what we like with them. For the magician is a) the supreme creator of his own universe and b) the master of Illusion (ref. the Tarot card “The Magician/Juggler”). This freedom of historical choice, however, is seldom realised let alone actively applied by the average magician. Maybe one of the reasons for this has to do with the somewhat pathetic fact that most of us tend to live our lives in a more or less manner, being mild eccentrics at best, distinctly avoiding becoming too much over the top. There are a number of possible explanations for this, ranging from “every magician is just another guy/gal like me” to “prevention of insanity”. As we deal all the time with insanity – i.e. extremely unorthodox states of consciousness by bourgeois standarts, we magicians prefer some stability in our everyday lives and makeups, but this is not really our topic.

Rather than delve into social normality of the average magician I should like to investigate the many bogus claims to antiquity as put forward by a multiple of magical and mystical orders from this point of view. Such orders range from Freemasonry, Rosicrucianism and Theosophy to such venerable institutions as the O.T.O., the Golden Dawn and many others. Their historical claims are usually quite stereotyped: the spectrum covered includes Atlantis, Lemuria, Mu, Solomon, Moses, Dr. Faustus, St. Germain, the Gnostics, the Knight Templar,the Cathars, the Illuminati, the Holy Grail myth, prehistoric witchcraft, matriarchy, shamanism etc.

Now it is quite common for shamans, to cite one example, to claim that in the good old days (usually, of course, dating back to a non-calibrated, non-defined time immemorial) things used to be much, much better. One of the more profane reasons for this contention may be the fact that most of these shamans have already achieved quite a venerable age in their trade; and don`t we all know the typical attitude of old crones towards modernity ? It may not sound particular spiritual or holy but maybe all we are seeing here is the primitive`s parallel to the “Now when I was in Poona with Royal Indian Army, young lad…” reported occasionally to be heard in some of today`s pubs.

But there is more to it, I think. By calling up “bogus” ancestors from Moses via Solomon to Dr. Faustus and St. Germain, the magician not only reinvents his own history, he also is summoning up the egregore of these “entities” (along with all their powers and inhibitions of course) – or, to put into Mr. Sheldrake`s terminology, their morphic fields. By violating all the painstakeing endeavours of the meticulous historian, by simply ignoring a number of tedious and possibly contradictory facts and questions (such as whether Moses and Solomon have ever really been sorcerers of some standing in their own time) the magician becomes God in the fullest sense of the expression: not only does he choose his relatives in spirit quite arbitrarily, he even claims the right to do what not even the judaeo-christian god of the old testament is ever described as doing, namely changing “objective past” at will.

This type of creative historicism appeals, so it seems, very strongly to the unconscious mind, supplying it with a great deal of ideological back-up information, thus reducing its conscious-mind-imposed limits of “objectivity” to at least some modicum of superficial probability. It is only when the occultist mixes up the different planes of reference, when he purports to speak of “objective linear truth”, instead of mythic or symbological, decidedly non-linear truth, that serious problems arise.This should be avoided at all costs in order not to strain our psychic set-up by contradictory evidence, which can easily result in an unwilled-for neutralisation of all magic powers.

But this, of course, is the same problem as with occult scientism. “Rays” are quite a convincing hypothesis to base telepathic experiments on, as long as you don`t try to overdefine said rays by epitheta such as “electromagnetic” or the like. For if you do, you become the victim of scientists`zealous inquisition boards. Or, as Oscar Wilde might have put it, it is not truth which liberates man`s mind but lying. (Which, again, is one of the reasons why Aleister Crowley entitled his magnum opus “The Book of Lies” in the first place…)

Let us then resort to _creative historicism_ whenever we find it useful. Let us not have “historical objectivity” dictated to us by the powers that be. Let us accept our fuzziness of expression which is, after all, little more than a honest acknowledgement of the fact that symbols and images are always more than just a little ambiguous, as our dreams well prove every night. As in divination, it does not pay to become overprecise in magic: the more you try to define a spell, the higher probability of failure. It is quite easy to charge a working talisman quite generally “for wealth”; it is quite another to charge it to “obtain the sum of $347.67 on March 13th at 4.06 p.m. in 93, Jermyn Street, 3rd floor” and still expect success. While the latter may strangely enough succeed occasionally, this is usually only the freak exception of the rule. However, by systematically rewriting our past in fuzzy terms, possibly eventing past lives and biographies for ourselves consciously or arbitrarily, we are fulfilling the final demand of Granddaddy Lucifer`s “non serviam”. Let nobody impose his or her time and history parameters on you!

And for practical exercise, allow your clock occasionally to be well in advance of your contemporaries`; let it sometimes lay behind for a few hours and minutes (do not just change the hour hand as this would make it easy to recalculate into demiurge`s “real” space-time continuum, making you yet again its slave!) Do this to learn about your former ill-advised humility towards the current time paradigm – and about the illusory character of time and its measurement in general. Rewrite your personal and family history daily, invent your own kin and ancestors. “Problems with Mom and Dad? Pick a new couple!” Experiment with retroactive spells, try to heal your friend`s flu before he even contracted it. But do this in a playful spirit lest your censor should whack you for your constant violations of the rules of this game by again confusing the frames of reference. Jump from one parallel universe to the next one, never permit yourself to stand still and become enmeshed by Maya`s veil (you are supposed to be the Master of illusion, remember?). And don`t panic: for nothing is true, everything is permitted.

* Origin: ChaosBox: Nothing is true -> all is allowed… (2:243/2)

Don’t Blame Me, Blame My Servitor

by Fenwick Rysen
26 July 1998
(Published in “Kaos Magick Journal” Summer, 1999)


I’m not sure whether I should be worried or not. You see, Chronos is a nice enough God of Time, but he is a bit old and I’m not sure he stands a chance against what’s about to hit him. Of course, he has enslaved all of Western society to the clock, so maybe he deserves it, but still yet I feel kind of sorry for him.

You see, it all started when I began playing with the idea of time magick. Not that I’m responsible for what’s coming, mind you— I’ll pass the blame off to Fotamecus before anyone blames me. I turned him loose a long time ago, and I take no responsibility for his actions, especially with him ranting “Chronos, your time has come” every time I see him. Perhaps I should explain.

My own involvement with time magick was actually quite accidental. One day I got to thinking about time and how it flows, and how each hour is supposed to be the same length as all the others. Yet this didn’t make sense to me— sometimes an hour flies by as if minutes, and other times it drags on for ages. The end result of the thinking ran something like this: If we can use magick in any area of our lives, and if Time is a mutable substance, why can’t we use magick to mess around with time? And thinking usually gets me into trouble sooner or later.

So one afternoon, running behind schedule, the thought passed through my mind to use magick to speed the journey. Listening to the radio as I drove down the freeway, I created a suitable Statement of Intent: “Force Time Into Compression.” Because driving doesn’t lend itself well to artistic sigilization, I instead reduced it to a four-syllable mantra that I could chant to radio music: “Fotamecus”. Despite little preparation, it worked exceptionally well, and I thought that this would be the end of it.

The next day a good friend of mine, Quinn the Mad Prophet (don’t ask), approached me and asked about sigilization techniques a la Austin Spare. Requiring a demonstration sigil, I chose to use “Fotamecus”, explaining the previous day’s success with it. From the mantra, I created an artistic sigil that Quinn put in his wallet for future reference, inadvertantly placing himself under its influence. Many stories of truly rapid transit followed, culminating in a Metallica concert where Quinn’s goal was to “suck up all that free gnosis.”

All of that free gnosis that Quinn sucked up was dumped into the Fotamecus sigil to speed the trip home, and a two hour journey took only thirty minutes. Even more surprising, the energy was enough to push the sigil over the border to servitorhood. I’ve used this technique before, of feeding a sigil enough gnosis until it created an independent servitor, but neither the Mad Prophet nor I had ever done it by accident. So without a home and with nowhere to go, the Fotamecus servitor, young and unintelligent, started following us around. Whenever we needed to compress or expand time we would feed it a bit of gnosis and it would do the job. It started “growing up” as we fed it, growing a little more intelligent and a bit stronger each time we used it. We thought this good and well, for the stronger he got the better he did his job.

Over Thanksgiving weekend in 1996, I crammed with six other chaotes into a van headed for Death Valley. Calling on Fotamecus while in the San Francisco Bay Area, we travelled fifty miles in fifteen minutes through both heavy traffic and the MacArthur Maze, the most dizzying interchange of highways known to man. Immediately after Fotamecus began to work, we lost a car of friends that had been following us.

Even though we killed 45 minutes at a rest stop afterwards, when we re-entered the freeway we met right up with the other car even though they had never stopped. We thought the magick had worked very well until we received the backlash later that day.

For time compressed, an equal amount of time was expanded. The balance was kept. Travelling at sixty miles an hour, a fifteen mile stretch of desert highway took nearly an hour to cross. If we had already reached our destination, the expansion would have been fine, but Fotamecus was only able to hold off the backlash from the initial compression for so long.

After several similar events we mulled over various ideas to correct the problem of backlash and hit upon the idea of viral servitors— the key to a process of mutation that would allow Fotamecus to eventually grow beyond our control. We worked several rituals in which we altered the sigil to make it possible for Fotamecus to make copies of itself. These copies wired themselves into a network that made them incredibly effective at preventing unwanted side effects. If one of them needed to compress time and another to expand it they would pass it off to each other through the viral network, maintaining balance and reducing the possibility of backlash.

Our only problem was that we didn’t limit how large the network could grow. There was no check against it— nothing to keep it from getting out of our control. And the only problem with a reproducing virus is that sooner or later it mutates.

It was about this time that news of Fotamecus started spreading through the Internet, and an online graphic of the sigil was printed out by many for personal use. Hundreds of copies were spawned and the power of the Fotamecus Viral Servitor Network continued to grow.

As the network grew, so did the power of Fotamecus. The whole thing started acting less and less like a legion of indpendent servitors and more and more like an individual entity. He started showing greater signs of intelligence— he would hold interesting conversations, show up when needed without request, and applied greater precision in his use of time manipulation to get the most mileage from the least effort. It became obvious to the Mad Prophet and I that he was slipping out of our control and was about to become something else. The mutation had begun, and there was little we could do to stop it.

Only a year after his initial creation, he ceased to be a network of pieces and became more than the sum of his parts. His parts were still identifiable, but they were becoming less and less distinct. The viral network itself was now stronger than the individual servitors, and looked more like a spirit in its own right with each passing day.

The full mutation took place during the hour long Midnight to Midnight when Pacific Daylight Time became Pacific Standard Time in October of 1997. Using mundane time expansion of an hour that didn’t technically exist, we performed a ritual in his name that was designed to charge him with power for whatever use he saw fit. Seven people and one smashed clock were the only witnesses to the ritual.

For three days he just disappeared. Petitions for help went unanswered, conversations were one-way talks to nothingness. Divination confirmed that yes, he was still alive, but that no, he wasn’t responding to anything. So we waited, and three days later he rose from the dead more changed than we had ever expected.

Many chaos magicians speak of spirits as spanning a continuum of power from the tiniest unintelligent servitor, to egregores of moderate power, to godforms capable of controlling entire cultures. In one popular theory, all godforms were at some time on the short end of the stick, and through constant use they amassed power and rose from servitor to egregore to full status as a godform. When asked how long this takes, many chaotes shrug and guess that each step takes decades or even centuries. I would say that this grossly underestimates the potential for their growth, for when we next saw Fotamecus he was no longer a puny little servitor but an egregore powerful enough to shrug us off and make his own demands.

I still don’t know what allowed him to cross that boundary. I suspect that when you give a servitor enough energy from enough different people it will become an egregore, much as a sigil can become a servitor after being the recipient of strong gnosis. But similar egregores I had dealt with in the past had not been nearly as strong as Fotamecus had become, though it shouldn’t have been too much of a surprise. By this time, there were hundreds of people using him daily around the world, each of them feeding him a little more power with each use. Along with the ritual performed during the Daylight Savings time-change, it was enough to push him over that border with change to spare. He reintegrated the individual parts as his limbs, while the network became his mind. Granted, he wasn’t a very strong egregore yet, but he had plans of his own at this point, and he would have been difficult for any one individual to control.

Lucky for us he was friendly and wasn’t about to take revenge for any perceived abuse suffered as a servitor. Instead he showed up, let us know of his egregore-hood and what was going on, and then faded into the background from where he would manipulate events. One could petition him in the same manner as before, but his skill at time manipulation had reached mastery. Oftentimes he showed up unrequested, giving help before we could think to ask for it. There were even times when he was strong enough to get us to our destinations before we had left for them. Certainly not the work of a puny servitor!

I don’t see much of him anymore, but he does show up when I need him. He usually has a better idea of when I need him than I do. And sometimes he just drops by for a chat. At 2 a.m. sitting in a Denny’s just a few weeks after attaining his egregore-hood, I had a particularly revealing conversation with him. It seems that he’s not satisfied with being an egregore— he wants to head for godhood and the only thing standing in his way is Chronos.

Chronos, god of fixed time— his talismans are the timepieces that control our daily existence, his clocks are the prison guards to which we have become slaves. And never do we question his authority. But what could some upstart servitor with delusions of grandeur hope to offer?

In my own case, my full-time job became much more pleasant when I began to compress the entire day with his help. An eight-hour day felt like four or five, and this compression was fed back as expansion of my free time. A two hour lounge around the house often felt like three or four. If I needed more sleep, I would ask him to expand the night-time hours, and I would awake after five hours as if I had slept in late. So much for those last nagging doubts in my head that time is fixed and immutable. In this way does Fotamecus battle Chronos. We may be slaves to our clocks, but there is nothing to stop us from changing the flow of hours within those clocks.

Word has spread. More and more people are using Fotamecus every day, and with each new user he grows in power. Already he is plotting his attacks against Chronos with what seems to be a passionate hatred centered on vengeance for some unknown slight. He keeps muttering something about the millenium, and has told me on more than one occassion to keep an eye on London’s Millenium Dome, which will hold more than 100,000 party-goers on December 31, 1999. Such comments are usually accompanied with the astral equivelant of a mischievous smile.

At this point I have a better relationship with him than I do with most gods I work with. And he seems to like me. Occasionally he pops up to tell me things to do for him, to get him out to more people or to give him ammunition for his war against Chronos. In return for a little publicity here and there, he helps me stretch those hours around the clock to get the most out of them. He even pokes me and prods me to write essays about him so that others will use him. By using his name as a mantra or by creating a ritual using his sigil to call him, he grows stronger day by day as new users feed him in return for his help. So sure, it may be neat to tell a story about how a servitor that Quinn and I accidentally created eventually ascended to egregorehood, but these days I feel more and more like I’m a servitor to Fotamecus that he feeds candy for being a good little magician. An odd relationship at best.

Fotamecus has been out of my control for a very long time now. I do worry a little bit about his war with Chronos— I have absolutely no clue what he’s got planned, and he’s certainly not telling me. But to be perfectly honest, even if I am a bit worried, I’ve been enjoying the show. And with the millenium just around the corner it looks like it’s only going to get better. This is what the Immanentization of the Eschaton is all about.

             This document Copywronged (x) 1998 by Fenwick Rysen
             All  rights  reversed.   Feel free to  copy,  hack,
             splice, mangle, mutilate,  spindle, twist, tear, or
             re-print, as  long as this copywrong notice remains
             intact. Questions to fenwick @ chaosmatrix . com or
             to Chaos Matrix: http://www.chaosmatrix.com

Austin Osman Spare and His Theory of Sigils by Frater U:.D:.


The end of the nineteenth and the beginning of the twentieth century was a time characterized by radical changes and great heretics. The secret lore and the occult in general were triumphant, and there were good reasons for this: the triumph of materialist positivism with its Manchester industrialism was beginning to show its first malice, resulting in social and psychological uprooting; the destruction of nature had already begun to bear its first poisonous fruits. In brief, it was a time when it seemed appropriate to question the belief in technology and the omnipotence of the celebrated natural sciences. Particularly intellectuals, artists, and the so-called “Bohemians” became advocates of values critical of civilization in general as can be seen in the literature of Naturalism, in Expressionist Art and in the whole Decadent Movement, which was quite notorious at the time. Austin Osman Spare (1886-1956) was a typical child of this era and, after Aleister Crowley, he was definitely one of the most interesting occultists and practicing magicians of the English-speaking world. Nowadays he is basically known only in this cultural context; [1] internationally, he has received only some attention in literary circles at best-ironically, in a footnote! This footnote is found in Mario Praz’s pioneering but, unfortunately, rather superficial work La carne, la morte e il diavolo nella letteratura romantica (The Romantic Agony, Florence, 1930) where he terms him, together with Aleister Crowley, a “satanic occultist” [2]-and that is all. Nevertheless, this important work has at least led many an occult researcher familiar with literature to Spare. Compared with Aleister Crowley’s enigmatic and infamous life, Austin Osman Spare’s existence certainly seemed to befit only a footnote. Despite his various publications after the turn of the century, he remained practically unnoticed until the late sixties. He was born in 1886, the son of a London police officer, and we know very little about his childhood. He claimed to have experienced while a child an initiation of sorts by an elderly witch, one Mrs. Paterson who, as far as we know, must have been quite a Wiccan-like character. Spare found his intellectual and creative vocation as an artist and illustrator, and he attended the Royal College of Art, where he soon was celebrated as a forthcoming young artist. But he rebelled against a bourgeois middle-class career in the arts. Disgusted by commercialism, he retreated from the artistic scene soon afterwords, though he still continued editing various magazines for quite a while. From 1927 until his death, he virtually lived as a weird hermit in a London slum, where he sometimes held exhibitions in a local pub. People have compared his life with that of H. P. Lovecraft, and certainly he too was an explorer of the dark levels of the soul. Around the beginning of the First World War, he released some privately published editions, and today one can acquire-at least in Great Britain-numerous, usually highly expensive, reprints of his works. However, we are primarily interested in two volumes, namely his well-known Book of Pleasure (Self-Love): The Psychology of Ecstasy (London, 1913) [3] and Kenneth Grant’s excellently researched book [4] in which he, as leader of his own brand of O.T.O. (Ordo Templi Orientis) and as an expert on Crowley, deals with the practical aspects of Spare’s system as well. Spare’s actual philosophy will not be analyzed in depth here because this is not really necessary for the practice of sigil theory and it would lead away form the subject of this study. Before we begin with Spare’s theory of sigils, it is perhaps useful to write a few words about the part sigils play in a magical working. Occidental magic is known to rest on two main pillars, namely on will and on imagination. Connected with these are analogous thinking and sybolic images. For example, Agrippa uses a special sigil for each of the planetary intelligences. These are not, as has been assumed for quite some time, arbitrarily constructed, nor were they received by “revelation,” but rather they are based on cabbalistic consideration. [5] The Hermetic Order of the Golden Dawn also employed sigils as “images of the souls” of magical entities, which enabled the magician to establish contact with them; nevertheless, the technique of their construction was not explained. The same may be said for the O.T.O. under Crowley’s leadership and for the Fraternitas Saturni under Gregorius. The name Agrippa already hints at the fact that magical sigils have a long historical tradition, which we will not discuss here because then we would have to cover the whole complex of occult iconology as well. In general, people think of “correct” and “incorrect” sigils. The grimoires of the late Middle Ages were often little else but “magical recipe books” (the frequently criticized Sixth and Seventh Books of Moses basically applies the same procedure of “select ingredients, pour in and stir”), and these practitioners believed in the following principle: to know the “true” name and the “true” sigil of a demon means to have power over it. Pragmatic Magic, which developed in the Anglo- Saxon realms, completely tidied up this concept. [6] Often Crowley’s revolt in the Golden Dawn-at first in favor of but soon against Mathers-is seen as the actual beginning of modern magic. It would certainly not be wrong to say that Crowley himself was an important supporter of Pragmatic thought in modern magic. But in the end, the Master Therion preferred to remain within the hierarchical Dogmatic system due to his Aiwass-revelation in Liber Al vel Legis. His key phrase “Do what thou wilt shall be the whole of the Law. Love is the law, love under will,” as well as his whole Thelemic concept, prove him a Dogmatic magician. Not so Austin Osman Spare. He seems to derive from the individual-anarchistic direction so that we may describe his philosophy, without undue exaggeration, as a mixture of Lao-Tse, Wicca and Max Stirner. English magic of the turn of the century was also influenced by an important young science which would actually achieve its major triumphs only after the Second World War-the psychology of Sigmund Freud. Before that, Blavatsky’s Isis Unveiled and The Secret Doctrine, as well as Frazer’s The Golden Bough, had given important impulses to the occult in general. William James’s comparitive psychology of religion influenced deeply the intellectuality of this time, but Freud, Adler, and especially Carl G. Jung eventually effected major breakthroughs. From then on, people started to consider the unconscious in earnest. This apparent digression, which had to be kept very short due to lack of space, is in reality a very important basis for the discussion that follows. We will not analyze in depth by whom Spare was influenced. Lao-Tse and Stirner having already been mentioned, we might note numerous others from Swinburne to Crowley himself, in whose order, the A:.A:., Spare had been a member at least for a short while. Rather, we will discuss his greatest achievement-his psychological approach towards magic. This leads us to magical practice proper. In Spare’s system there are no “correct” or “incorrect” sigils; neither is there a list of ready-made symbols. It is of no import whether a sigil is the “correct” one or not, but it is crucial that it has been created by the magician and is therefore meaningful to him/her. Because s/he has constructed it for personal use, the sigil easily becomes a catalyst of his/her magical desire, and sometimes it will even waken this desire in the first place. This Pragmatic approach which dominates present-day Anglo-Saxon magic (Israel Regardie, Francis King, Stephen Skinner, W. B. Gray, David Conway, Lemuel Johnstone, to name but a few relevant authors) goes to show that Austin Osman Spare, rather than Aleister Crowley, should be considered the real Father of modern Pragmatic Magic. [7] In the German-speaking countries, the situation is quite different. Writers like Quintscher, Gregorius, Bardon, Klingsor and even Spiesberger allow but little room to maneuver when creating magical coordinates individually. Here the adept is expected to grow into a ready-made system instead of fashioning one. This is a completely different approach, the value or non-value of which we will not discuss here. The nearest thing to Pragmatic Magic, existing already in 1917 i.e. 1921 (the date of the second revised edition of his major work on magic as an experimental science), was Staudenmaier. The works by Mahamudra, which have of late been receiving some attention, are mainly of a descriptive nature and deal with traditions and new interpretations, thus remaining within the context of German magical heritage; however, they do take heed of recent results in scientific psychology and are, therefore, at least partially related to the Pragmatic approach. Pragmatic Magic will become more and more important because today’s magicians have to face a psychologized-and psychologizing-environment whose philosophical relativism has been shaping all of us, and still does. Regardless of the significance or amount of truth one concedes to psychology/psychoanalysis, we all are infiltrated by its way of thinking and its vocabulary. So even we magicians will have to attain to a critical, sensible look at it. It will be left to another era to find different models of explanation, description and practice. How does Spare proceed in practice? Sigils are developed by fusion and stylization of letters (see Figure 1). First of all, a sentence of desire has to be formulated. Let us take the example Spare himself gives in his Book of Pleasure, the declaration of intent:

THIS MY WISH TO OBTAIN THE STRENGTH OF A TIGER

>>>>> This sentence must be written down in capitals. Next, all the letters which appear more than once are deleted so that only one of each letter remains. [Ed. Note: The asterisks denote crossed out letters. Also beginning the declaration of intent with THIS MY WILL instead of THIS MY WISH may prove more efficacious.]

THIS MY W*** *O *B*A*N **E **R**G** *F * *****

Thus, the following letters remain: T,H,I,S,M,Y,W,O,B,A,N,E,R,G,F. The sigil is created from these letters; it is permissible to consider one part (for example, M) as a reversed W or, seen from the side, as an E. Hence, these three letters do not have to appear in the sigil three separate times. Of course, there are numerous possibilities of representation and stylization.


[Ed. Note: There was once a crude attempt at an ASCII sigil here, but it got screwed up beyond all recognition. I am trying to find the original sigil and will do another ASCII version when I find it. –Fenwick]

“This my wish to obtain the strength of a tiger.”

Sigilized this would be:

This my wish —>
To obtain —>
The strength
of a tiger —>
Combined as
one sigil —>


However, it is important that in the end the sigil is as simple as possible with the various letters recognizable (even with slight difficulty). The artistic quality of the sigil is irrelevant, but for simple psychological reasons it should be obvious that you should not just scribble or doodle in haste. You should strive to make it to the best of your abilities. The finished sigil, which in the beginning will probably take a few attempts to construe, with then be fixated. You may draw it on parchment, on paper, in the sand, or even on a wall. According to Spare’s short instructions, it should be destroyed after its internalization. Thus, you will either burn the parchment, wipe it out in the sand, etc. Spare’s basic idea is that the sigil, together with its meaning, must be planted into the unconscious. Afterwards, the consciousness has to forget it so that the unconscious can obey its encoded direction without hindrance. When the sigil is ready, it is activated by implanting it into the psyche. This is the most difficult part in this process, and Spare offers only very few hints on practical procedures. However, it is crucial that the sigil is internalized in a trance of sorts. This may take place in a state of euphoria (for example, by means of drugs), in ecstasy (for example, sex magically by masturbation, sexual intercourse or a ritual), or in a state of physical fatigue. For the latter example, eyes and arms may be tired by the magician folding his/her arms behind the head while standing in front of a mirror and staring fixedly at his/her image. The important thing is that it should click, meaning that the sigil must be internalized spasmodically, which, of course, requires some exercise and control. This procedure may be supported by repeating the sentence of desire rhythmically and monotonously like a mantra, becoming faster and faster; in doing so, one must stare fixedly at the sigil. (In our example of looking into the mirror [a magical mirror may be used, too], it is useful to draw the sigil onto the mirror with water-soluble paint.) After spasmodical internalization, the symbol must be destroyed and deleted from the conscious mind. As mentioned before, from now on it will be the unconscious which has to do the work. In my own practical work I have discovered that it may even be useful to keep the sigil on you, such as wearing a ring engraved with it, etc. But this will depend upon the magician’s individual predilection, and everybody should find his/her own way. Occasionally, it may prove necessary to repeat the whole procedure, especially if the goal is a very problematical one, requiring an outstanding amount of energy. Nevertheless, experience shows that it is of prime importance not to bring back the meaning and aim of the sigil into consciousness at any time. We are, after all, dealing with a technique akin to autosuggestion; thus, the rules are the same as with autosuggestions themselves. Therefore, you may not use negative formulas such as “THIS MY WISH NOT TO …” because very often the unconscious tends neither to recognize nor understand this “not,” and you might end up getting the opposite result than that which you originally desired. If you see a sigil every day, perhaps on a wall or engraved on the outer side of a ring, this should only take place unconsciously, just as one might not consciously notice an object which is in use all the time. Of course, you should keep your operation secret, for discussing it with skeptics or even good friends may dissolve the sigil’s power. The advantages of this method, of which only a short summary can be given here, are obvious. It is temptingly easy, and with only a little practice it may be performed at any time and at any place. It does not call for any costly paraphernalia; protective Circles and Pentagram rituals are not required (though sometimes they may prove useful, especially with operations of magical protection), etc. People who tend to psychic instability should, however, be cautious. Although the threshold to schizophrenia is not as easily crossed with this method as with common evocations, it does involve cutting deeply into the ecology of the psyche, an act which should be considered carefully in any case. The psycho-magical consequences are sometimes quite incalculable. As is well known, the real problem with magic is not so much the question whether it works, but rather the fact that it does. Used with responsibility, this method offers the magician a tool which provides him/her with a limitless variety of possible magical applications.

Ubique Daemon :. Ubique Deus :.

Kamea Kreator: Majik Squares

A kamea or majik square is made up of consecutive numbers that equal the same number when vertical, horizontal and diagonal numbers are added together. The following “rules” will work with any odd-numbered kamea.

I’ve used them for a number of unique sigils, wherein I take a desire’s words, eliminate the doubles, and write the letters remaining into a square in order (adding extras if necessary) and drawing out the resulting sigil while repeating the mantra I’ve created. Thesample is an accessory; the purpose of this tract is passing on the “rules” for majik squares on to you (for fun, dammit!).

Example: This square uses the numbers 1 – 24. Rows, columns and diagonals equal 65.

17 24 1 8 15
23 5 7 14 16
4 6 13 20 22
10 12 19 21 3
11 18 25 2 9

The Rules:

  1. Place the first number in the middle cell of the top row.
  2. For every number in the top row (except the last one), place the next number in the bottom row of the next column to the right.
  3. If a number has a vacant cell diagonally above and to the right of it, place the next number in that cell.
  4. When a number has been placed in the top right cell, place the next number in the cell below it.
  5. For every number in the last column (except the top one), place the next number in the first column of the row above.
  6. Whenever none of the other rules work, place the next number in the cell below.

An Example:“I desire to manifest a magnet of inspiration in sleep”
Letters remaining: I-D-E-S-R-T-O-M-A-N-F-G-P-L
Writing it down backwards with extras: LoPaG FiNAM OTRiS EDaa’I
Creating the square, adding vowels where blanks remain:

e o L N S
i G i i E
a F R I e
M T a a P
O D u o A

Then, (and this can be done a myriad of ways) draw a line from the first letter of the desire to the next, until a simple shape manifests. In this case “I-D-e-S-i-R-e” is drawn upon, an “o” marking the starting point and a “|” the line’s end.

=

The resulting sigil may be launched using any preferred method of course (if you know what a sigil is, then you can figure that one out); in this case, I kept the majik square with the sigil drawn upon it under my pillow. Results were better than expected.


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AutonomatriX

Accessing a particular state of consciousness via the use of Power Words.

consciousness-stephen-taylor

Continuing from our last exercise and using your word of power discovered with our deep mind exploration process of speaking in tongues, we want to be able to access that particular state at will. All that’s necessary is to further set our intent and charge our word with it.

One can either use the word previously discovered, or create a new one applicable to any working at hand. Basically, this is reverse process whereas last time we uncovered the word by way of altered states of consciousness, this time we will attempt to engage in altered state of consciousness by way of the word.

Banish and/or open by whatever means the magician desires. Rest oneself in a position, or posture, or form applicable to the intent.

Option 1 (simple enunciation of received mantras)

Begin the repetition of a mantra or your word of power either silently, whispered, or aloud, or some combination thereof.

Some may use the 3*3*3 method for a total of 9 emanations of aural vibrations on each plane; silent, whispered, and aloud.

Continue repetitions until gnosis is attained, or the word of power is lost to the deeper mind, obliterated, throughly soaked, or charged with low-attention processing.

Option 2 (must be at a location where loud sounds are permitted)

One enters a state of utter silence, gazing at a sigil containing one’s statement of intent. After some time, when one cannot hold the silence any longer, they should yell the word of power as loud as possible with vehement conviction.

Thus, charging it with the state of consciousness attained through quasi-primal scream therapy.

The magician now has a bona-fide original “Word of Power” which can function as a trigger or anchor for the desired altered state of consciousness, to be activated at the magicians will, in any specific situation.

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Image : Stephen Taylor

Glossolalia

th

Uncovering your own words of power from the deep mind / unconscious is not a difficult task. In a similar manner, the Pentecostal Christians use a technique called speaking in tongues during their services. The magician decides upon a statement of intent, then creates a symbol representing the sentence. Gazing at this symbol, one should attain a state of inner silence while concentrating on the intent until a deep state of altered consciousnessis reached through whatever means are applicable to the individual.

Once the altered state of consciousness nears gnosis, the magician proceeds to speaking in tongues or, basically, letting syllables, words, and seemingly nonsensical lexic items flow out of their mouth freely and without the restraints of lingual integrity. Keep up the flow until a deeper state of gnosis occurs and you intuitively stumble or catch yourself repeating a certain phrase over and over and over. Once you find this phrase and you receive the accompanying bodily or emotional reactivity to it, you know that you have found your particular phrase of power. Once you have this phrase intuitively sounding and feeling intense, you know the discovery is complete.

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Next up, how to access a particular state of consciousness at will through the use of words of power.

Talisman of Good Fortune – An Adoration of Laksmi

varamahalakshmi-festival_13432948154

Background:

In Vedic Hinduism, Laksmi is knwon as the Goddess of Fortune. She is the consort of Vishnu and appears with him in all his incarnations. She is sometimes depicted sitting on a lotus is a sea of milk. Laksmi in her aspect as the Goddess of Beauty is known as Sri. Laksmi means, “She of the Hundred Thousands”, the power of multiplicity. She is also the Goddess of Reality or Causation

Materials:

– A large chunk of clay (the kind that dries overnight)
– A flower for each participant
– Milk
– Chalice (for the milk)
– Loaf of bread

The Rite:

0. Open the space with ritual of chosing — I recommend the Rite of Three Rays.

1. Enter appropriate state of consciousness with the repitition of the mantra:

AUM SRIM SRIM SRIM AUM (25 times or as long as desired)

Each participant should simultaneously pluck a petal from hir flower and place it in front of hirself. Then pluck one petal for Laksmi. Repeat, making two piles of petals.

2, Main Operator recites Evocation:

AUM AUM AUM
SRIM SRIM SRIM SRIM SRIM

LAKSMI, SHE OF GREAT FORTUNE
LAKSMI, SHE OF DIVINE BEAUTY
LAKSMI, SHE WHO BORE KARMA
LAKSMI, SHE OF THE HUNDRED THOUSANDS
LAKSMI, SHE OF MULTIPLICITY
COME TO US LAKSMI
SHOW US YOUR LOTUS FEET
WE BOW TO LAKSMI
MAY WE PLEASE YOU THIS DAY

AUM AUM AUM
SRIM SRIM SRIM SRIM SRIM

3. The sacrifice is offered to Laksmi:

Pass the bread and each participant takes a bite and passes it on. When it returns to the Main Operator, hishi says, ” We bow to the lotus feet of the daughter of Videha,” and places the bread in the center of the circle. Pass the milk in the same manner as the bread; the M.O. says, “We bow to she who is the daughter of the waves.”

The participants then place the pile of flower petals for Laksmi in the center of the circle. The M.O. states, “We bow to the destroyer of the three kinds of pain.”

4. The M.O. then holds up the clay in the right hand and states,” This is our potential.” The M.O. holds up a handful of of flower petals in the left hand and states, “This is our energy. May your hands guide ours as we create our fortunes.”

5. The M.O. then kneads the petals into the clay and passes it along. Each participant will spend some time kneading the petals and clay together, All the while chanting the mantra.

6. When the clay returns to the M.O., hishi tears off a chunk for hir own talisman and the clay is again passed around for each participant to take a piece. The remainder is left in the center.

7. Each participant fashions hir talisman to hir liking. Put aside to allow to dry.

8. Banish with laughter and revelry.

The rite proper ends here. I would suggest that people recharge the talisman on the New Moon in any manner one deems proper. It is certainly a good idea to periodically recharge the talisman.

Autonomatrix

Insurrectional Resurrection Rite

AlchemyGothic-Alcantogram

Setup:

  • Trip to local 1800s cemetary dedicated to unknown civil war soldiers to look for power fetish to use in rite.
  • Gleefully snatch up piece of vandalized antiquated grave monument ideally suited to serve as a thin taper candle holder (a tiered white disk with green patches of lichen or mold and a hole in the center)
  • (begin under full moon on easter eve)

Procedure:

  1. Go outside and open crown chakra. Draw in light of full moon to illuminate subconscious awareness. Go back inside, place burgundy/brownish red candle in piece of monument from cemetary. Meditate on 11 years that have passed in preparation for this. Build desire for successful universal autonomy. Try to clear mind of all prepared ideas and plans, then rest hand on edge of candle holder as sleep comes. Ask for a shamanic guide to come during night.
  2. On easter, (the next day), put on “Filigree and Shadow” by This Mortal Coil and light taper. As light from the flame reflects on the air around it, link with ancestors and let trance state claim consciousness resistence to abandonment of independent “self.” Hold in mind a thought of the need for a “civil” war to gain our right to autonomy and freedom to be individuals and invoke the Conneaut dead:
  3. I call:
    …you who could not understand the thrill of freedom
    …you who shrank from the push of “choice”
    …you who so jealously guarded your claim on family
    …you who cried for yourself but not for others
    …you who so bullied and abused friends
    …you who so fiercely demanded and signed laws
    …you who so righteously claimed to know the best for your neighbors
    …you who so condescendingly set your city limits
    …you who restricted the knowledge your schools taught
    …you who saw the lies in all beliefs – except your own
    …you who so stubbornly clung to reason and sense
    …you who garrotted your instincts and slaughtered your dreams
    …you who limited your children even as you beat them
    …you who condemned adventuresome women
    …you who only watched in unconfessed desire
    …you who feared and risked not
  4. Now that you are dead and can see how your blindness forfeited the chances you could not see when you were living and had the right to act, I call on you to back those who do trust the whispers you refused to hear. Those who WILL act to unloose the changes you were so afraid of. Those who hold the vision you turned away from.
    I was born of the dreams of those damned to know. I am the present of their sacrifice. And I am of my ancestors: I will not be stopped. And you are dead of the living you have created, but left living as dead. Take the chance I offer and breath life into what you left so bound and dull. Back them who WILL act. I exchange my egocentric self rule for the honor of carrying your force by proxy to serve the creative force my self is aligned with.
  5. 5. Spill blood in cemetary to seal.

[anti-copyrite] AutonomatriX

THE VEVEREVERBERATION RITE

tumblr_mip1dePndc1qjdvvto1_500

All Participants gather in an area which has as its center a center-post, tree, or pole erected. Necessary for its performance are a bowl of water, a tape of syncopated drums (suggested rhythm is 111.111.111 etc.) and/or drums for playing, candles and cornmeal for the drawing of the vevers. Elaborations may include ritual flags. A minimum of three participants is suggested:

  • La Place holds a sword and directs all actions of the ceremony.
  • HoungŽnikon assists and is in charge of the offerings.
  • Hounsis Kanzos are all the other participants; this being a majikal ceremony, there are to be no spectators, only participants!

If LSD is to be used as the sacrament, it should be taken before the ritual begins; the peak should occur sometime soon after the loa (or lwa) is invoked.

The Vevereberation Rite:

1. Libation

  1. The bowl of water is “presented” to the eight directions of the circle in cardinals, ie. first to the four points in a counter-clockwise fashion, then to the inbetween spaces clockwise. Example: The bowl is thrust to the N, then to the W, to the S and to the E. Then the bowl is thrust toward the NE, then the SE, the SW, and finally the NW.
  2. The Loa, Legba notably, is invoked.
  3. The water is poured 3x onto the center-post and 3x to the north-west of the working area. A line of water is then drawn from the NW back to the center-post.
  4. The center-post is kissed 3x by all participants.

2. Opening

La Place performs a banishing using the sword.

3. The Vevers

Candles are lighted and placed near the center-post in the direction of where the vever is to be drawn.

The vever for Kalku (Lord of the Crossroads) is drawn with its center being that of the post.

Invitation: “Papa Legba, ouvre barrie pou nous passer!”

4. Chemickals

Whatever chemiognostic method to be employed is done now.

The Loa are invoked in no apparent order.

5. The BattŽrie

The rhythm is 111 pause 111 pause 111 pause. Repetitions of 14 each then a long pause. The batteries may be drums, clapping, stomping, whatever. Dancing and abandonment to ob-livion follow to end.


[anti-copyrite] AutonomatriX

WATCHER CONJURATION

horus

Purpose:

It is the intention of this working to create a particular type of servitor called a Watcher. The Watcher’s function, as its name implies, is to act as guardian for its creator, functioning in effect as an extra pair of eyes. It may be bound to a particular place as a watchman, or may be of a more spatially general nature, per the specifications of the conjurer.

Materials Needed:

Octarine-colored lights & Ouranian Incense & Material from which to create a figurine (i.e., clay, wax, wood) & Glass container & A square of silk & Wrapping large enough to cover the glass container & Black electrical tape & A cigarette of any type

Preliminaries:

1. Fashion a figurine in the form of a horned serpent, and paint it (if desired) in whatever colors you desire, with the exception that the figurine’s eyes should be in a color that forms a “flashing color” in combination with octarine. Pay very close attention to detail, and use utmost skill in your creation of the figurine.

2. Decide upon a name for the Watcher; there are no rules for this choice.

3. Draw upon the wrapping for the container your personal sigil/glyph. This will face into the container.

4. Inscribe upon the cigarette the planetary sigils for Ouranos (at the end that gets lit), Jupiter (in the center), and Mars (at the end of the smokeable part).

5. Make sure that your working area is lit only with the octarine lights, and fumigate well with the Ouranian incense.

The Conjuration:

0. Open a Vortex, ending it with the words “XIQUAL (name of the Watcher)”

1. Place the figurine upon your altar.

2. Recite the following invocation to Ouranos:

Io Ouranos! Serpent of Octarine Flames!
I summon thee from within me, within me!
Io Ouranos (repeat 8 times)

(Visualize an octarine eight-rayed star within the figurine)

The Octarine arrow pierces my creation
The name of this servitor, this Watcher,
is ___________________ (Watcher’s name)

Come, Ouranos, breathe life into my creature!
Ouranos, God of Magick Octarine
Ouranos, Serpent Octarine

Ouranos, Baphomet, Semyaza, Carmara (repeat 7 times)

Repeat the above 3 times, maintaining strictest concentration upon the figurine throughout.

3. Still focusing exclusively upon the figurine, address it with the words:

Watcher! (say its name)
I am thy god, you are my servant
Serve me well, watch for me and warn me,
I shall reward you with life;
Fail me, and I shall destroy you forever!

4. Light the cigarette and inhale some of the smoke. As you exhale it over the figurine, chant the words “Io Ouranos” with the first drag, “Io (your magical name here)” with the second, and “Io (insert Watcher’s name here)” with the third. The intonation of each phrase should last exactly as long as does your exhalation of smoke.

5. Repeat step 4 until the cigarette has been entirely consumed. It is best to smoke the entire cigarette without losing any of the ashes.

6. The cigarette being finished, rub the entire interior of the glass container briskly with the square of silk.

7. Pick up the figurine and place it upon whatever item you are accustomed to using as a focal point on your altar. Address the Watcher with the words:

(Watcher’s name), here is Axis Mundi!
This is my body
This is your soul!
Serve me well, watch for me and warn me,
and I shall reward you with life;
Fail me, and I shall destroy you forever!
You are my servant; I am your god!

8. Hold the Watcher in the incense smoke and say to it:

(Watcher’s name), here is Spiritus Mundi!
This is the breath of Ouranos
This is my breath!
Serve me well, watch for me and warn me,
and I shall reward you with life;
Fail me, and I shall destroy you forever!
You are my servant; I am your god!

9. Place the Watcher against your own body until its temperature is the same as your own, while addressing it with the words:

(Watcher’s name), here is Stella Sol!
Here is warmth and succor
Here is fire and brimstone!
Serve me well, watch for me, protect me
and I shall reward you with life;
Fail me, and I shall destroy you forever!
You are my servant; I am your god!

10. Place the figurine inside the glass container and seal it. Wrap the container in whatever wrapping you have chosen, with your personal sigil facing inward.

11. Fasten the wrapping shut with the electrical tape in the form of an eight-rayed star.

12. Shout out, “It’s alive! Alive!”

13. Close the Vortex and anokquz.

Notes:

Once you have wrapped the glass container, it is not to be opened again. No one but the conjurer should ever see the Watcher-figurine, and no light should ever fall on it save octarine light. Should the container ever get broken, prepare a new container and transfer the figurine to it only after having fumigating with Ouranian incense and illuminating the working space solely with octarine light. Ideally, no one but the conjurer should be told precisely what the container holds.


[anti-copyrite] AutonomatriX